Electrohick

This is my entry to Bruce Bethke's Friday Challenge for 4/17/09

"Electrohick"
by snowdog

Dear Cousin Jimmy,

Just two weeks ago, I'd have not thought it was possible, but I'm now convinced that I have a superpower. Yes, I know what you're thinking, but hear me out. Over the last several days, I've developed the ability to send electrical impulses through the air. The voltage isn't enough that a human being or a dog would be shocked or injured. Indeed, most folks would never even feel the slightest tingle. Electronic devices, on the other hand, well, few can escape me unaffected.

What is the origin of my superpower? Fair question, sir. You know that water tower in the center of town? Late one night, I was climbing it with a can of spraypaint in my waistband. Joe's sister had spread a rumor about me around town and I'd decided to return the favor. What I hadn't noticed was that storm clouds had been building to the West all afternoon. It wouldn't have mattered, though. There was no way I was going to let anyone get away with telling folks I had-- well, we won't go into that.

I made it to the top of the tower and started spraying letters in my prettiest handwriting: "J-E-N-N-I-F-E-R...I-S... A --" Then there was a bright flash of light. That was the last I remember until I woke up in the hospital. About a week later, on the ride home, I noticed that traffic lights kept turning red every time I got near one. All the way down down Broad Street, there must be ten or twelve of them. Every time my truck got within fifty feet or so, the signal would go yellow. I got pissed and blew through one of them, trying to break the cycle, but it didn't matter. Soon as I got close to the next one, RED.

When I got home, I sat down at my computer to twitter about my experience over the last week, but a pop-up box announced that it suddenly had a "virus". This had never happened before. Fortunately, I was still able to reach my free porn sites, though.

Later, I went to the supermarket for more beer and my superpower struck again! The automatic door didn't detect me right away and I damn nearly ran into it face-first!

I know that I have to keep my superpower a secret. If word were to get out, people would try to hire me to blow up their ex's microwave or sabotage their neighbor's leaf blower. No, it's better that I live out my days as a mild-mannered security guard and do what I can stop crime by night. Let the bad guys try to escape the police while catching every light in town.

I remain an enigma.

Your friend and cousin,
Bobby

P.S. Skynyrd!!! WOOO!

Wanna Be An Idol (Sucking Up To Simon)

This is my entry for Bruce Bethke's Friday Challenge for 4/10/09.

"Wanna Be an Idol (Sucking up to Simon)"
by snowdog

The try-outs came into my town one rainy afternoon
No music, only singing in a private little room
All alone, nowhere to hide, I nearly hit the floor
Before the Idol judges, they had gone from three to four

Now I'm sucking up to Simon
And his silly hair
Paula, are you stoned again?
What's with that glassy stare?
Randy, no I'm not a "dawg"
Please don't call me such
But I wanna be an Idol
An American Idol
Wanna be an Idol so much

I got my golden ticket, now it's on to Hollywood
Sang with a bunch of losers, I don't think they understood
I'm in this thing to win it, I don't want to go back home
I'll watch them go down one by one until I'm all alone

So I'm sucking up to Simon
And his snotty attitude
Someone prop up Paula quick
She's been into the 'ludes.
Randy played with Journey, dawg!
His outfit was a rush
But I wanna be an Idol
An American Idol
Wanna be an Idol so much

I made the final twelve or so, my friends and family cheered
Consensus in the web logs called me talented, but weird
'Though millions heard my singing, I'm still standing here alive
You want to see me next week? Then please dial in number five.

For now, I'm sucking up to Simon
That annoying limey git
Paula's up and dancing
In a dress that doesn't fit
Randy says to "check it out",
I think I've had enough
But I wanna be an Idol
An American Idol
Wanna be an Idol so much

(Instrumental)

Spoken:
Oh yeah, I forget. There's a new judge. What was her name, again?


Now I'm sucking up to Simon
That accent and that smirk
Paula's feeling flirty
Keeps touching on that jerk
Randy, no, hey, you're the dawg
Keep that hip-hop stuff
But I wanna be an Idol
An American Idol
Wanna be an Idol so very much

Yeah I wanna be an Idol
An American Idol
Wanna be an Idol so much

Drummer Girl

This is my entry for Bruce Bethke's Friday Challenge for 4/3/09

"Drummer Girl"
by snowdog

The stage lights dimmed by three quarters into a deep blue and the spotlight painted a white disk around her as she shifted from the song "It's Never Goodbye" into her last drum solo. The dark sea of people erupted into applause at the first clickety-click notes on the ride cymbal. Slowly, she built on the foundation. A heartbeat thumping from the kick drum, a gradual rumble from the floor tom, then all the lights flared into a catherine wheel of whirling reds and greens as she suddenly spiked the intensity and speed of the performance. Into the verse-chorus breach a final time, she thought.

It wasn't as easy for Karen as it had been during her younger days. Although few fans noticed the minute flaws, she could feel the slight ache in her limbs that was throwing her timing just a little. Richard had noticed, though. And it was his idea to bring the 2002 tour to a close with a farewell show in Paris. Later tonight, the Richard Carpenter Trio would go their separate ways after a career that spanned five decades.

CRASH-CRASH! BOOM! BOOM! BOOM! CRASH! BOOM BOOM CRASH!

From their earliest beginnings as a jazz ensemble, through the seventies' soft rock hits and finally, the edgier arena-filling hard rock, the Trio had driven a long and sometimes bumpy road. Karen was certain that they never would have survived past the first few failed singles had producer George Martin not taken an interest in them early on.

It was the classic case of the right sound at the right place at the right time. The year was 1965. Martin had been producing a struggling young British band called the Beatles who simply could not stand to be in the same room with each other for more than ten minutes at a go. Paul McCartney, John Lennon, George Harrison and Pete Best simply were not a good fit. There was talk about removing Lennon as a remedy since his voice was the weakest and his ego the largest, but Martin had reckoned that it would make no difference. Were it not for a string of minor hits, such as "We Won't Work It Out", "Hard Day's Work", and "Please Me Now, Woman", the band would have split long ago.

Richard had met George Martin before a bar gig in New York City. They had struck up a casual conversation over bourbon, neither knowing who the other was. At sixteen, Karen had been too young to be in the bar legally, but no one asked any questions when Richard excused himself and joined her and Wes Jacobs onstage for a rousing set of jazzy covers of popular rock n' roll tunes. Martin had been won over after he heard the first of three original songs in the set list.

Karen had to snap out of her reverie for a moment to concentrate on some tricky hi-speed triplets on the snare and hi-hat. Not bad for an old lady, she smiled to herself.

The eighties had brought a new sound and a new set of problems. A switchover from Soft Rock to New Wave had alienated more than a few of their long time fans, but her well-publicized feud with Chrissy Hynde, contrived though it was, had won them a level of publicity that she had never dared to imagine. Sales of their 1982 album, You Again, doubled that of its predecessor.

Then came the anorexia. What had started as a strong New Year's resolution to control her weight had blossomed into a full-blown eating disorder. It was Martin who noticed her frail appearance and, along with Richard, coerced her into the newly opened Betty Ford Clinic. There was no doubt in Karen's mind that this act of tough love had saved her life.

THUMP-THUMP-THUMP-THUMP-A-THUMP-THUMP-SPLASH-SPLASH! CRASH!

In the early nineties, Nirvana had exploded onto the scene and it seemed for a moment that grunge would wipe out everything that had come before it. Indeed, countless New Wave and Hair Metal bands were swept away in a deluge of reheated Punk. It was a hard time for the Trio, but Richard and George reinvented their sound, giving it just enough of an edge to interest a new generation of rockers, but still poppy enough climb the mainstream charts.

It was at New Year's Rockin' Eve 1999 in Times Square that Karen had first begun to feel the stiffness in her joints, although at the time, she had written it off to playing in the freezing night air of NYC. To be safe, she saw her family physician while the band rested in Connecticut. There, she was diagnosed with a mild case of arthritis and told that the condition would worsen over time.

After several days of soul searching and more than a few tears, she decided that Richard was right. To paraphrase Def Leppard, it was better to retire gracefully than to slowly fade away in front of an audience.

BOOM! THUMP-A-BOOM! BOOM! Slowly building snare roll... and... CRASH! CRASH! CRASH!

The cheers were deafening. Once again, accompanied by the Trio, she launched into the final chorus "It's Never Goodbye". The lyrics leapt to mind effortlessly and she sang into her headset mike.

You can say farewell if you must
You can use any word you like
You can say it's forever, I promise it's never
It's never goodbye, never goodbye,
Never goodbye